The Olden Days: circa 1996
It was only a few years ago when my sample sourcing colleague would turn up with a pile of cassettes and vinyl ready to make a tune using an Akai sampler and an Atari St. The first thing I would do is to try and originate the main rhythmic part, which invariably contained some sort of tuned item such as a bass line and then sample it, loop it and try and work out the tempo and key of that sample. Of policy it would never be at the tempo we wanted so we'd tune it up or down to get the succeed we were after, but then it would be in a separate key entirely so I'd sit there with a calculator working how far to timestretch the traditional sample to get the tune into the desired key. The situation becomes even more tedious when you add other samples where you whether have to do the same again or set it up so you could edit the sample whilst auditioning it with your bass and drums. We would admittedly spend an whole weekend looping 'round the same 8 bars trying to get a dozen or so samples to just sound Ok together. I knew there had to be a best way...
CHOPPER
Acid Today
Acid Pro 3.0 is the most recent version of Sonic Foundry's multi-award winning loop based music creation software that allows the user to generate original, royalty-free music with a simple click, paint, and play interface. Over the years, Acid Pro has evolved into a mature schedule with a wide range of features. This most recent version is especially fascinating for video and multimedia producers. The new video track, with its linked scoring tools, lets you sync your manifold audio tracks to video. Using the video track as your guide, you can change the tempo of the audio (without changing its pitch) or time-stretch it, in order to line up the audio with the exact frame of your video. While Acid Pro is little to just one video track, its classic audio features, including DirectX plug-ins, loop-creation tools, and loop-editing tools, make it an excellent environment for merging audio with a work-in-progress video. If you need added video tracks, you can import your Acid tracks directly into Sonic Foundry's Video Vegas.
In Use
If you're customary with other time-grid software programs, such as Adobe Premiere or Macromedia Flash, you should feel right at home with Acid. On a basic level, it's as easy as seeing an audio loop and pasting it into one of the audio tracks. You use only one loop per track, so adding a musical phrase is as simple as grabbing the drawing tool, fascinating the cursor to the point where you want the loop to begin, pressing the left mouse button, fascinating the cursor send and releasing the mouse button where you want the musical phrase to end. Because the schedule keeps all the loops in the same musical key, maintains a consistent tempo and starts and stops each loop at the exact beginning and end of the measure, you don't have to mess about pushing samples about on the timeline. This takes away nearly all the tedious activities that I just mentioned.
You can download royalty free samples at any time by hitting the "Get Media" button and downloading sound packs from the web. Although this is a good easy way to get started and learn Acid, if you don't source your own samples then your tunes may well sound like every person else's. Acid is such a doddle to use that I think you should spend more time sourcing and editing your samples as you will spend less time throwing them altogether when you are ready to originate your tune. Acid treats mp3 samples just the same as wavs.
Once you have the rough mix of your tune together you can then start playing with effects, panning etc. Which are done with software 'plug-in' effects. These work well and can be edited in real time and can be downloaded from the internet.
Beatmapper and Chopper
Other useful features comprise a Beatmapper remixing tool that helps you add beats, integrate musical loops with existing audio files, overlay samples and add tempo data to longer audio files. In fact the Beatmapper Wizard automatically kicks in if you try to import any samples longer than 30 seconds. It works well, detecting the first downbeat and then testing the rest of the track for rhythmic accuracy. At any stage in this process you can dive in there and manually point to the beat if your sample is more involved than a right 'four to the floor'.
A Chopper editing tool lets you generate drum fills, stutters and Dj-style effects to your audio files. Experimenting with the Chopper can yield some very fascinating slice-and-dice effects. No matter how you mangle the audio with the Chopper, the altered loops all the time play in sync with your other tracks.
Audio and Midi
This most recent version supports 32 effects per track, 32 succeed chains that feed 26 busses, and sample rates as high as 192 kHz. Also new is Midi file support, including Midi record and playback. As with the video track, the Midi withhold is limited. For example, there's no provision within the schedule for editing a Midi file. Similarly, audio recording is bare-bones. If you need to integrate your loops with manifold Midi or linear audio tracks, you'll want to augment Acid with a more traditional audio-editing program. Fortunately, you won't have to look far; the Acid Pro 3.0 holder includes Sound Forge Xp Studio and Vegas Audio Le. The boxed version also includes Sonic Foundry's Xfx 1, Xfx 2 and Xfx 3 collections of DirectX plug-ins, as well as more than 600 music loops.
rescue and Publishing your work
The save as dialog box gives you two options: an Acid scheme file (.acd) or an Acid scheme with embedded media (.acd-zip), the latter is an excellent way to share unfinished projects with people as you do not have to contribute all your wav files and their locations. You can also burn a Cdr right from Acid assuming of policy that you have a Cd writer! Also you can release your work right to Acidplanet.com, have a look and see what all the fuss is about.
Conclusion
I like it. I have admittedly now decided to breakaway from my Cubase mentality and use Acid full time. I'll probably still carry on editing my loops in Wavelab because that's what I know, but I admittedly think Acid 3.0 is the way forward. If you think looping programs are severely little in the kinds of music they can produce, visit Sonic Foundry's web site and download the free trial version of Acid Pro 3.0. Based on the ease and power of this schedule and the incredible range of the loop Cds, Sonic Foundry has created a set of tools that can serve video and multimedia producers, just as they already serve music and movie producers.
law Requirements
300 Mhz processor Windows-compatible sound card
Cd-Rom drive Supported
Cd-Recordable drive (for Cd burning only)
64 Mb Ram (128 Mb recommended)
60 Mb hard-disk space for schedule facility Microsoft® Windows® 98, Me, 2000, or Xp
Microsoft DirectX 8 or later (included on Cd-Rom)
Internet Explorer 5.0 or later (version 5.0 included on Cd-Rom)*
400 Mhz processor and Windows 98Se, Me, or 2000 for video scoring.
98Se, Me, or 2000 for Vegas Audio Le.
Pros:
Ease of use
Excellent Beatmapper tool
Superb range of plug in effects
Media admittedly ready from downloads
Supports Video
Cons: Audio recording is a bit basic
You cannot edit Midi
Requires a fairly fast Pc
Quite pricey
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